Showing posts with label disco. Show all posts
Showing posts with label disco. Show all posts

I Wanna Feel Your Love


Here is a great disco boogie jam produced in part by drummer Howard King. He was a member of Mtume's band and also contributed to some great LPs from Gary Bartz, D-Train, Eddie Henderson, and Stephanie Mills. This tune has pretty amazing breakdown and is just great soulful dance music start to finish. Definitely a sleeper and a kinda tough pull from the RCA disco 12" catalog.

Candy Bowman - I Wanna Feel Your Love

Hypnotize with the Dance


We haven't put up any straight up hardcore disco in a long time so here you go. It is impossible to put these joints on and not want to invite all the foos in the neighborhood over for a dance party; unless you live where I live, then again, OK it's a bad idea altogether. Just convince BT to throw a matinee party at his house in LA and go hang out in his heated pool.

This Mandrill Jam reminds me or a mix between Tempest Trio's Do You Like The Way That It Feels and a song by Imagination. Sorry for the parts where it is clipping near the end, I am trying to dial in my new rig.

This early Tee Scott remix shows his knack for turning a straight forward disco hit into a dance floor classic with long drawn-out breaks with empty quiet backgrounds contrasting the disco anthem choruses.

Mandrill - Dance Of Love
First Choice - Love Thang (Tee Scott Remix)

garage house


Here is a 1984 house classic in its 1985 special longer remix form. "You Don't Know" was produced by Paul Simpson and still sounds excellent today. As a bonus I'll throw in this garage flavored extended Shep Pettibone mix from Instant Funk.

If you are in the Sacramento area tonight I'll be playing records at The Press Club for a new weekly party, "FFFreak". Come hang out and dance to '80s music!


Serious Intention - You Don't Know (special remix)
Instant Funk - (Just Because) You'll Be Mine (Extended Club Mix)

do you feel like a party


Lee Moore was a disco producer who unfortunately only released a few tunes during his short career. His first and most common track came out on Source Records in 1979. It appears that after his brief relationship with a large label he took matters into his own hands and cut a track on his own LM imprint. This track has a raw feel that is apparent when the guitar comes in too early after a few bars of the loose drum and bass groove. The white noise synth sound used to accent the snare also gives the beat a lot of character.